March 31, 2008

Bono gives props to Africa; Africa returns the favor

I was fascinated with this concept album when I first read about it: Twelve artists and musical groups from all parts of Africa gather together to cover U2 songs with traditional African instrumentation, percussion, and even languages. In many cases, the songs are completely restructured into something you can feel rising from the ground up, the beats thumping into your deepest hollows.

In The Name of Love: Africa Celebrates U2 features artists like Angelique Kidjo (previous post), Les Nubians, Sierra Leone’s Refugee All Stars, and an oddly affecting cover of “Love Is Blindness” by Angola’s Waldemar Bastos. Mali bluesman Ali Farka Touré‘s son Vieux contributes a rich cover of “Bullet The Blue Sky” with the spoken bridge segment done in his native language. The songs are really different than how you’re used to hearing them. If you love U2 as I do, sometimes it takes a minute to get past the shock. But there’s a beautiful spirit and soul shining through this amazing collection.

The album is released tomorrow through the good folks at Shout! Factory, and all proceeds will benefit the Global Fund to Fight AIDS, Tuberculosis, and Malaria. Stream samples of all the songs here.

And you know — I think that this is how the type of love that Bono originally sings about is supposed to sound; like a well rising, voices joining together.

Pride (In The Name of Love)Soweto Gospel Choir

NEW CONTEST! One winner will get a copy of In The Name Of Love: Africa Celebrates U2 just by leaving me a comment with either a good U2 story, a good Africa story, or both. I’ll pick a winner and send the booty on its merry way.

PS – I checked, and I ain’t got a Monday Music Roundup in me.
Not today.

March 30, 2008

Baby we only got today, and then the moment’s gone forever

The Burn To Shine DVD series artfully combines two of my favorite things: cool old buildings and terrific bands, with a series of performances captured within the doomed walls of homes slated for destruction. The cameras roll for the band alone, and by the time we see the footage, the building no longer exists.

This series is a project of Fugazi dummer Brendan Canty and filmmaker Christoph Green (the pair also directed the Wilco Sunken Treasure DVD). Musicians representing the regional scene are selected by local “curators,” including Ben Gibbard in the Seattle film and Chris Funk of the Decemberists in Portland. The musicians set up shop in the condemned building, each performing one song, one take, on one day. Then the local fire department will receive the property and it will be destroyed by fire for training exercises.

What makes these films exceptional is the weighty sense of a fleeting, ephemeral moment that will never happen again. I’ve thought about this, but never been able to articulate the concept as finely and viscerally as the combination present in this series does.

So often I’ll see an exceptional performance in a venue, and the next time I’m there I might think of what took place on that very stage. But the moment is gone and will never happen exactly the same way again. This series crystallizes that into footage and teases it out to the forefront — the way that musical creations dissipate, and how they are fleeting by their inherent nature.

Baby, we only got today, and then the moment’s gone forever.

WILCO: Muzzle of Bees
(Burn to Shine Chicago, 2002)

Muzzle of Bees (Burn to Shine version) – Wilco

SLEATER-KINNEY: Modern Girl
(Burn to Shine Portland, 2003)

Modern Girl (Burn to Shine version) – Sleater-Kinney

EDDIE VEDDER: Can’t Keep
(Burn to Shine Seattle, 2005) – I love this house’s architecture

Can’t Keep (Burn to Shine version) – Eddie Vedder

Read the excellent full listing of who has played for this series, and if this concept interests you, you must listen to the podcast interview with Brendan Canty about the series. Canty talks about how the concept got started during a period when Fugazi was undergoing a time of flux and dissolution, and how he wanted to capture that feeling somehow through this old building that fell into his lap. It’s a fascinating and brilliant concept, and a series deserving of further development.

Vol 1: Washington DC (2001)
Vol 2: Chicago (2002)
Vol 3: Portland (2003)
Vol 4: Louisville (not yet released)
Vol 5: Seattle (2005)


Burn to Shine 4-DVD complete set

March 29, 2008

“You should come by some time and we’ll ghostride the Prius”

Stuff White People Like #91: San Francisco

March 28, 2008

Tonight in Denver! Monolith Festival presents The Cribs & Ra Ra Riot

It is fixin’ to be a hootenanny of sorts at the Larimer Lounge tonight. The Monolith Festival peeps never sleep; even in the festival off-season here they are tirelessly working to bring good music to the fine denizens of Denver.

Come on out and join us tonight for UK band of brothers (and January NME cover-mentioned boys) The Cribs, with support being provided by the classy and melodic indierock of Ra Ra Riot out of Syracuse, New York.

Moving Pictures – The Cribs
Panic (Smiths cover) – The Cribs & Johnny Marr
I’m A Realist (Postal Service remix) – The Cribs

Ghost Under Rocks – Ra Ra Riot
Each Year (RAC Mix) – Ra Ra Riot

[photo credit Stuart Leech]

Malcolm & Me, or, Standing outside a sold-out Justice show with money in my hand

I was wistfully YouTubing Justice today after missing the French electro-dance duo at Denver’s Ogden Theatre last Saturday night. After misunderestimating my ability to finagle my name onto the list, I found myself standing on a street corner in the snow, talking to a homeless man named Malcolm who was trying to hustle a few tickets. Malcolm tried to find me something but I wasn’t willing to drop sixty bucks. It was a sad hour in Fuel/Friends history. It’s okay, though, because I probably wasn’t dressed nearly hip enough – no faux-ironic neon, no skinny jeans, no ’80s pastel Reeboks.

But when I came across this video, I reconsidered my wanton frugality; did Michael Jackson, Rod Stewart, Rick James, Stevie Wonder and Prince all possibly appear at the Denver show? Now I shall never know.

A girl can dream. This is all kinds of awesome.

“D.A.N.C.E.” – JUSTICE (live on Jimmy Kimmel – Oct 2007)

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March 27, 2008

Pardon me?

…Rather than mainstream MP3 blogs, which exist purely to violate the copyright of the working musicians you can already hear on the radio…”

Read the article. Come on guys. Seriously?

Jason Collett on the creation of “Papercut Hearts”

Jason Collett is a Canadian musician who’s been part of Broken Social Scene and is currently pursuing his own fantastic solo avenues. After seeing him open for Josh Rouse last September, I was impressed by his detailed lyrical imagery, and his lovely voice that had an unexpectedly sharp, raw, piercing crackle to it.

Collett’s 2008 album Here’s To Being Here is out now on Arts & Crafts (Feist, Stars, Apostle of Hustle). I hear hints of Dylan’s drawl in his own unique combination of rootsy warmth and modern sparkle. This video was recently posted on his site; listen to the story behind the evolution of his song “Papercut Hearts.”

Papercut Hearts – Jason Collett

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Vedder plays $5 secret shows in West Seattle

One of the things I am most looking forward to about seeing Ed Vedder solo next Monday in Berkeley is the variety of rare and semi-rare tunes I’m hoping he’ll play. I’ve seen Pearl Jam so many times that they’d have to dig quite deep to throw something I’d never seen, but within the framework of a solo setting there are many songs that I’d love to see live for the first time.

Judging from the setlists at the two secret shows Vedder played to fewer than 150 people this past Monday and Tuesday night at Kenyon Hall in West Seattle (tickets for an “Into The Wild event” were sold for $5 at indie record store Easy Street), I could be in for some pretty rad selections.

Here are (other live versions of) a few tunes he played at the shows this week:

THE “SOLO VEDDER HYPOTHETICAL SETLIST 2008″ MIX
Walkin’ The Cow (Daniel Johnston cover, Bridge School 1994)
Around The Bend (live Bridge School 2006)
I Am Mine (live Bridge School 2004)
Dead Man (live, Not In Our Name Benefit 1998)
Broken Hearted (live at the Wiltern Theatre 2002)
You’re True (live at the Wiltern Theatre 2002)
Goodbye (live at UCLA 2002)
Trouble (Cat Stevens cover, live)
Picture In A Frame (Tom Waits cover, Bridge School 2006)
Won’t Back Down (Tom Petty cover, live in 93-ish)
Forever Young (Dylan cover, 5.24.06)
I Used To Work In Chicago (Bridge School 06)
Millworker (James Taylor cover, live in 2004)
Drifting (live in Mansfield, MA, 2003)
You’ve Got To Hide Your Love Away (Chicago 5.16.06)
Growin’ Up (Springsteen cover, live in 2003)

ZIP: “SOLO VEDDER HYPOTHETICAL SETLIST 2008″ MIX

[Late addition/not in the zip] – Patriot!! Thanks to the comments, I’m gonna post up a few versions here of one of my favorite covers that Pearl Jam does, and add my voice to the small chorus suggesting this for the solo shows. Such a fantastic song.

Patriot (punked out version, Tibetan Freedom Concert 6/13/99)
Patriot (acoustic, Madison Square Garden 10/13/00)
Patriot (all reworked, live in 2003)

March 26, 2008

New Spinto Band :: “Summer Grof”

Yeah, we’re not gonna pretend to know what a grof is. Sounds like something from a Harry Potter book? Or perhaps forgotten slang for pubic hair. Either way, it doesn’t appear to have English roots.

But that does not mean that this new song about it from Delaware indie-powerpop outfit Spinto Band can’t play a starring role on your next brightly-hued summer mix.

From their blog: “The video was conceptualized and directed by one Albert Birney. We shot the whole thing in Tom and Sam’s parents backyard, then ate a huge feast and celebrated birthdays and played board games and guitars until we forgot why we even got together to begin with.

I saw Spinto Band at Noise Pop 2007. Dudes were into it. They put on a very fun show. They’ve been on the road with The Whigs and Tally Hall in support of their forthcoming release Moonwink.

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March 25, 2008

New Raconteurs video: “Salute Your Solution”

Just taunting the Web Sheriff (or should I say WEB SHERIFF) to try and leave me comment #3 about The Raconteurs (I deleted the other two — no, seriously, happy Easter), it’s one more post about The Raconteurs.

This rad new video was composed of 2500 still shots taken and assembled by rock photographer extraordinaire, Autumn de Wilde:

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Bio Pic Name: Heather Browne
Location: Colorado, originally by way of California
Giving context to the torrent since 2005.

"I love the relationship that anyone has with music: because there's something in us that is beyond the reach of words, something that eludes and defies our best attempts to spit it out. It's the best part of us, probably, the richest and strangest part..."
—Nick Hornby, Songbook
"Music has always been a matter of energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel."
—Hunter S. Thompson

Mp3s are for sampling purposes, kinda like when they give you the cheese cube at Costco, knowing that you'll often go home with having bought the whole 7 lb. spiced Brie log. They are left up for a limited time. If you LIKE the music, go and support these artists, buy their schwag, go to their concerts, purchase their CDs/records and tell all your friends. Rock on.

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