This is the best thing I’ve seen all month: I’ve been meaning to write about how explosively terrific and joyful the new Agesandages album is (out now on Partisan Records), but this new video does it all for me with zero editorial needed.
I want this video to adopt me and be my forever family.
AGESANDAGES UPCOMING TOUR DATES
June 25 Vancouver BC / Rickshaw Theatre
June 26 Seattle, WA / The Tractor Tavern
July 25-27 Newport, RI / Newport Folk Festival
August 1-3 Happy Valley, OR / Pickathon
Whoa. So this is the first chapel session we recorded using the new Blue Mics that were donated to the cause by a wonderful reader named Tyler Barth in California, just simply because he is a fan of what we are doing here. I’m no sonic whiz (for example, I’ll happily listen to crappy-quality songs ripped off YouTube) — but I can flat-out say that this is the best sounding chapel session we’ve ever done, and we’ve done some pretty damn terrific sounding ones before this. So thank you, Tyler. We’ve got a handful more sessions already in the can with these mics, and now I’m quadruply-thrilled to hear what’s next.
David Wax Museum is a tremendously talented band, and I’ve been a fan for years. Their voices ring true and urgent and clear together, and they’re a joy to watch because they take so much delight in what they’re doing. Then again, I’d take great joy in my work if I got to use an accordion, a cajon, shell anklet percussion, a donkey jawbone, a fiddle, and basically every other instrument that nine-year-old you would want to get your hands on and run around the backyard playing.
There’s always been a trademark español undercurrent to much of their music, fostered by David’s fellowship in Mexico after he graduated from Harvard. He spent a year studying Mexican son music, first forming a Mexican roots band before the David Wax Museum came into being.
On this session they were augmented by sometime-band-member and full-time-David’s-cousin Jordan Wax on the accordion, and I could see the specialness of their music created together. Also, this is the first chapel session I’ve hosted with a glowingly pregnant woman performing, and I think we can all agree that that little kiddo (she’s born now, and on tour with the band) must have had one of the *most joyful* in utero experiences of any baby in 2013.
It was happy to watch, imagining backflips.
FUEL/FRIENDS CHAPEL SESSION #30
DAVID WAX MUSEUM
July 7, 2013 – Shove Chapel
Colorado Springs, CO
This is such a wonderful, specific love song, and it expands like a kaleidoscope with each verse and voice and instrument added. Love songs should be specific. This one paints a distinct picture of a lover with a big heart, low voice, trembling lips, and dark eyes. I like how he invites her in this song to “break me” and also “seep into me.” Sometimes we need both, don’t we?
This traditional-sounding song is laden with a community weight of a gospel singalong, and I had to look up it up to see if it was their original creation, or a hundred-year old hymn. Suz’s clear voice rings out to lead — and if we’re talking about the gospel, she is like a minister here, leading the other four dudes in the band with her violin and her voice. This song is about resting with things that we don’t understand, best I can tell, and it’s nice to have the community voices behind us, anchoring that sometimes-challenging sentiment.
This is still one of my favorite David Wax Museum songs (I named that Spring 2011 mix for a lyric from this song), and this was a request I made that afternoon. They jumped into it wholeheartedly, as you can hear, and this chapel rendition is even more mellifluously cacophonous than the album version. I adore it. You can hear the hands hitting the cajon, you can hear the clackety shells ’round ankles, you can watch the joy in the dueling accordions. “Some of us come with new hearts, most of us come with used hearts / baby, why do you look so sad?”
This is their cover song, a traditional Mexican folk song from Veracruz. I was pretty proud of my high school Spanish that allowed me to glean, without googling, this this was a song about some sort of poor little bird (spoiler: IT’S A PARROT) being urged to fly away. There’s some residual high school extra credit waiting to be earned from Sra. Navarro for that one, I think.
There was so much joy on their faces and effervescent laughter in the church when they performed this, the yelling call-and-response. Also, the cajon is hands down my favorite thing about this entire session – the way Philip Mayer drums it for all he’s got. Later that night at my house show, I think this is the song that David stood outside for, and yelled his lines from beyond the windows in the darkness. It was tremendous.
[as usual, thank you to the wonderful sound production from my Blank Tape Records homies, and Kevin Ihle who took all the marvelous video and still photography]
Name: Heather Browne Location: Colorado, originally by way of California Giving context to the torrent since 2005.
"I love the relationship that anyone has with music: because there's something in us that is beyond the reach of words, something that eludes and defies our best attempts to spit it out. It's the best part of us, probably, the richest and strangest part..."
—Nick Hornby, Songbook
"Music has always been a matter of energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel." —Hunter S. Thompson
Mp3s are for sampling purposes, kinda like when they give you the cheese cube at Costco, knowing that you'll often go home with having bought the whole 7 lb. spiced Brie log. They are left up for a limited time. If you LIKE the music, go and support these artists, buy their schwag, go to their concerts, purchase their CDs/records and tell all your friends. Rock on.
Name: Heather Browne
