Greetings from San Francisco! Here I am nestled under the fog, bravely going to cover the Outside Lands Festival for you all (take one for the team, I know). Things get underway in just a few hours and I will be heading over once I can figure out what to do with my car. I think I’m walking 26 blocks. Awesome.
One of the artists I am really looking forward to seeing this weekend (there are many) is the always-enjoyable Matt Nathanson, who plays a hometown show tomorrow at 7pm on the Avenues Stage. I’ve recently been listening a lot to this stellar cover he performed not long ago on Sirius radio:
In related news, this second Springsteen cover features Charlie Gillingham of the Counting Crows and David Immerglück of the Crows and Camper Van Beethoven. Both of those guys played on Matt’s record Still Waiting For Spring back in the day.
Atlantic City – Matt Nathanson w/ Immerglück and Gillingham
Both covers are lovely. Maybe everything that dies someday comes back. Ah, I hope.
Recently I found myself outside the Sputnik in Denver staring down a double-edged challenge: one of my friends and his sister (close sibs) rode a vintage Schwinn tandem bike to the Langhorne Slim/Young Coyotes show [nice review here]. I’ve never rode a tandem anything before, and thought I’d give it a whirl.
Let. Me. Tell. You. That business is not as easy as it may look. Who invented that? Why did they think it would be a good idea to make two people balance in unison, and why did I think that it would be a good idea to try my maiden voyage at 2am? But I must say — should the opportunity ever present itself to you, I can recommend trying it simply for the fact that I laughed so hard I couldn’t breathe and I haven’t done that in a while. And then I pretty much fell off.
Speaking of new experiences, here are a few that aren’t quite as fun but probably sound better (less grunting):
Traipsing Through The Aisles Samantha Crain I’ve recently become enamored with Samantha Crain, the newest signee to the Ramseur Records label (also home of the Avett Brothers who I plan to see tomorrow night for my birthday!). This Shawnee, Oklahoma native is a startling 21 years of age, and I was immediately curious to hear her music when I read that she conjures up “Judy Garland singing Neutral Milk Hotel songs.” And yes, amen exactly when you hear it. Her recent release The Confiscation: A Musical Novella is structured as a rich series of interconnected short stories. It’s backporch firefly music, or campfires and pine smoke, or pick your metaphor evoking a good and spreading warmth. Listen now.
Love Vigilantes (New Order cover) Voxtrot While Ramesh Srivastava of Voxtrot has been holed up in Germany for the last year, decompressing and working on the follow-up to their 2007 debut full-length (after their string of fantastic EPs), he’s stayed in Das Loop of technology and is now podcasting. There are all kinds of great free audio and video gems in their shiny corner of iTunes — a 30-minute summer mix, Vincent Moon videos from La Blogotheque, and this poppy New Order cover. All handclappy and cheery, this is almost reminiscent of “Love Me Do” with that opening harmonica. Even the spontaneous crowd chatter over the opening fits perfectly, as if you just walked into the room where the party is happening and everyone is there. You’ve got a fresh mint mojito or something summery in your hand, and this is your soundtrack.
We Should Fight Ezra Furman & The Harpoons From the Jonathan Richmanesque spoken opening of “I wrote this song in a paper bag,” this song unleashes into punk and melody, retro and squak, Violent Femmes meet The Kinks with a dash of The Replacements’ sloppy joy. Ezra Furman & The Harpoons were signed by Minty Fresh Records while they were still in college at Tufts University, and are still evolving as a band. I like where they are heading. The best lines in this song are “I’m not a monster, I’m a human being / I’m not a monster, I’m a human being / And I’m the greatest thing you’ve ever seen.” All that college-guy confidence and tenderness and insecurity in one lyric that sounds great yelled loud. The Brian Deck-produced Inside The Human Body is due October 7th on Minty Fresh [thanks SVB!]. Also – side note, these kids have a charmingly humble song called “I Wanna Be Ignored.” Take that, Stone Roses.
I Said Alright (live on KEXP) The Jet Age I’ve been meaning to give these guys a mention for months, ever since a friend with exceptionally good ears sent me a handful of laudatory texts late one night while seeing The Jet Age in San Francisco. He spoke of their charisma, their irrepressibly catchy and rocking sound (but maybe not in precisely those words, since it was 1am). Their debut album What Did You Do During The War, Daddy? (Sonic Boomerang Records) garnered an 8.0 on Pitchfork, who called it a “heart-pounding rocker … all of the riffs are stellar.” This is lean, punky, melodic pop. The Jet Age is from Silver Spring, MD and they’ve got a handful of DC-area shows coming up. I hear you should go.
My Party Chester French This song mysteriously popped into my inbox with vague provenance. We’re supposing that it is some new music from those golden Harvard boys, Chester French, following close in the same retro vein as the songs that have leaked so far from their hotly anticipated debut. Rhyming champagne with chow mein is something that’s just been begging to be paired for a long time now, and no one has done it until this song — but the lyrics about having a gift certificate to the mall totally reminds me of this, somewhat unfortunately. This Pharrell-endorsed buzz band has been all over the news lately – one of NME’s 25 Bands Making America Cool Again, a Rolling Stone Artist To Watch, and now a spouse to Peaches Geldof. They play Monolith on Sunday, September 14th.
The layers of ambiance and the ineffable cool of the originals always make Cure songs a particularly sticky wicket to cover. That’s not stopping a bunch of folks including Bat For Lashes, The Muslims, Kaki King and The Dandy Warhols from trying their hand at it. This track is breathy, darkly shining, and atmospherically lovely.
The New Frontiers from Dallas dropped their spacious and glowing cover of the Gillian Welch song “Look At Miss Ohio” into my inbox today, like a little gift. That aching original has been one of my favorite songs to attempt harmony with on the chorus for a few years now, but where Gillian’s voice often takes on that haunted and weary edge, this version burns a little with spreading warmth — like a good glass of whiskey. It sounds like roadtrips that start at 4am after too much talking and dreaming about the wanderlust.
Hey do you like Wilco? Of course you do. And most everyone likes covers (especially me). This is part two of a jawdropping treasure trove of lovingly-assembled covers that Wilco has performed in concert over the years.
In this batch, you get covers of everyone from Neutral Milk Hotel (!!) to Herman’s Hermits, an even better version of that lovely lovely “Be Not So Fearful” song that I posted a while back, and you also get to hear Tweedy’s improvisational singsong verse about Grateful Dead fans (“You’re scaring me very much now / I always suspected that a lot of this crowd smoked a lot of pot, and dropped a lot of acid back in the hippy days / Oh, it’s so so sad that you’re Wilco fans.”)
Hey do you like Wilco? Of course you do. And most everyone likes covers (especially me). This is a jawdropping treasure trove of lovingly-assembled covers that Wilco has performed in concert over the years.
In this batch, you get covers of everyone from Bob Dylan to the Replacements to The Stooges. Oh, and a sweet hip-hop version of She’s A Jar, bitch.
Berkeley’s The Morning Benders have a sunny sound that I’ve recently raved about. Hot on the heels of their lovely release Talking Through Tin Cans, they’ve now gathered together some of their favorite covers, recorded them in their bedrooms, and are releasing them free to you.
Through a partnership with a few of us music blogs, The Morning Benders are releasing one track each day this week through a different site. The full collection will be available next Tuesday on their blog. For now, here is the Fuel/Friends debut, see below for locations of the other ones:
The band says: “These songs sound the way they do, because we recorded them with a laptop and one mic. We used mainly acoustic guitars and shakers because that’s what we had lying around, and we couldn’t make much noise in our apartment anyway… We learned the chords and the lyrics (which was pretty easy because we’ve heard all these songs hundreds of times), and we played ‘em.” OTHER SONGS ON THE EP: via 3hive: He’s A Rebel (The Crystals) via MOKB: Mother & Child Reunion (Paul Simon) via I Pick My Nose Blog: Pull Up The Roots (Talking Heads) via Spinner: Temptation Inside Your Head (Velvet Underground)
Covers coming in the full batch next week will include songs by Fleetwood Mac, Randy Newman, and more. Check the Morning Benders blog for details. And rock on with the free summer covers music.
[one spot of loud audio at the beginning – it gets better!]
Supergrass rocked what felt like a secret show last night at Denver’s tiny Larimer Lounge, after the Foo Fighters cancellation at the larger venue up the road. “Hellooooo Red Rocks!” Gaz Coombes shouted as they took the stage, looking back at his bandmates with a grin. With three of the band members sporting matching fedoras, they launched into a short but intense set of songs drawn largely from their new album Diamond Hoo Ha, which all sounded ferocious –and very, very loud– in the compact club. Three merry Britons next to me seemed elated by their dumb luck of seeing one of Britain’s biggest bands of the Nineties (who regularly play to massive festivals and stadiums) in the well-loved confines of our Larimer.
I do not love cats by any means. Kittens, sure, and I’ve met a few decent cats but their overall redeeming qualities were their dog-like traits. The musical Cats also is something I never ever need to see.
However recently I was listening to the fine new Luke Doucet album (loved the last one) and found myself enjoying the twangy creativity of his cover of the 1983 Cure song “The Lovecats.” It is a challenging song to cover, because it’s so weird that really only Robert Smith and his eyelinerness can pull it off. I shuffled around to the sexy OK Go version of it (noble effort), then Googled out a few others. So now you can hear the lines, “We should have each other to tea, we should have each other with cream” through a variety of different lenses. Including (?!) Paul Anka, as much as that makes your skin crawl.
Porca miseria! (That means pig misery. That’s also exemplary of the reasons why Italian profanity is one of my interests). Italy lost to Spain yesterday in the Euro 2008 quarterfinals, despite the loudest cheers of my small viewing contingent. It’s always agonizing and ultimately a bit unfulfilling to see big games come to penalty kicks, but Spain played exceptionally well and I can’t begrudge them. Much.
And if you care not for soccer, you can walk away from that last paragraph with (at minimum) a great new Italian curse, suitable for work and use around your grandma. Pig misery!
Music this week –
Perfect Games Broken West Last time we heard from addictively delicious Los Angeles foursome The Broken West, they were topping all kinds of best-of lists in 2007 (including mine) with their album I Can’t Go On, I’ll Go On. The good news this week for fans of intelligent, robust, catchy-as-hell pop is that they are at it again. I absolutely love this song already, from the opening notes about spilling our ice cubes on the lawn, and the underlying sadness that subtly gnaws through the layers of memorable melody that I’ve been humming all day. Now or Heaven is due in September on Merge Records. [image from their recording sessions]
The Ground That We Stand On Hawksley Workman I got an important-looking courier package from Luxembourg this weekend, with Cartier listed as the sender. Diamonds? An exquisite watch? Nay — instead of fancy jewelry, Cartier has lavished an eclectic sampler CD of music upon me. Heck, why not. They have a new campaign/website/charity thing called “How Far Would You Go For Love?” (second base?). Other contributing artists with original tunes include folks like Lou Reed, Grand National, Phoenix, Marion Cotillard (who won an Oscar for her role as Edith Piaf), and this Canadian artist Hawksley Workman. I’d never heard of him before but this was surprisingly my immediate favorite track on the comp, with a warm voice like Sea-Change Beck and wistful autumnal lyrics. Listen to this tune, like it, and then go download the other songs (for free!!) at Cartier’s site.
Peace Like A River (Paul Simon cover) Spoon The folks over at Daytrotter recently posted a top-notch session with Spoon, and as those Daytrotter guys are so good at doing, they enticed Britt Daniel and Co to play a little gem of a rarity for us — this time in the form of a sandpapered Paul Simon cover. Spoon often has such a cinematic, evocative quality to everything they lay hands upon. Here they take a tune which originally ebbs with Paul Simon’s smoothness wafting in the air tonight, and push it a bit more ragged and on-the-edge, making the song simmer with a touch of pounding mania. As for an album link, how about the new reissue of Spoon’s 1998 album A Series of Sneaks on 180-gram vinyl? Yeah.
Divine Hammer (Breeders cover) The Modifiers Kim Deal is the bass player for The Pixies, and co-founder of The Breeders with her twin sister Kelley Deal and Throwing Muses guitarist Tanya Donelly. Deal is a formidable musical force whose creativity and innovative songwriting spirit is celebrated on a new tribute album from the excellent little American Laundromat Records. Songs of Deal’s from her time with The Breeders and The Amps are covered by a wide variety of backyard indie bands of all stripes (The Modifiers are from Boston, but the rest of the featured bands are from all over). The liner notes are by Donelly, and the whole thing was mastered by Sean Glonek (who’s worked with her ex, Frank Black). Gigantic is available now for your rocking out this summer, and if you order it from the label, they promise to ply you with “buttons, stickers, and other goodies with each order.” I can vouch for their largesse.
Play Your Part (Pt. 1) Girl Talk An ambush addition to this week’s roundup, Gregg Gillis (aka Girl Talk) popped in out of nowhere last week with a brand new album of schizophrenic, mile-a-minute sampling. Feed The Animals is out on his Illegal Art imprint and is another pay-what-you-want deal (but if you pay $0.00 you have to explai yourself, apparently). So come on – this song samples Temple of the Dog, Sinead O’Connor AND UGK’s “International Player’s Anthem”?! It’s akin to the way my brain plays music snippets all right on top of one another when I flip through a really eclectic jukebox in a bar after drinking a few. It feels like that; disorienting but so nice. Girl Talk hits Colorado July 11th at the Fox Theatre in Boulder (for what is sure to be an insane show), and the album will see a physical release on 9/23.
Name: Heather Browne Location: Colorado, originally by way of California Giving context to the torrent since 2005.
"I love the relationship that anyone has with music: because there's something in us that is beyond the reach of words, something that eludes and defies our best attempts to spit it out. It's the best part of us, probably, the richest and strangest part..."
—Nick Hornby, Songbook
"Music has always been a matter of energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel." —Hunter S. Thompson
Mp3s are for sampling purposes, kinda like when they give you the cheese cube at Costco, knowing that you'll often go home with having bought the whole 7 lb. spiced Brie log. They are left up for a limited time. If you LIKE the music, go and support these artists, buy their schwag, go to their concerts, purchase their CDs/records and tell all your friends. Rock on.