“Monday” Music Roundup, holiday edition

Good morning, champs. Did everyone (in countries where they celebrate Memorial Day, i.e. the U-S-of-A) have a nice long weekend? Sunburns, BBQ-overdose, and hangovers? Check. Plus, Brad and Angelina had their new little girl (name translated means “New Messiah” – sign of the endtimes?) so, you know, I can breathe easier now. And maybe now I can schedule that trip to Namibia without needing written permission from them. Gotta love when rich Western celebrities are allowed to buy off the immigration officials in poor developing nations. It’s just so comforting.

Here are five songs that I rocked repeatedly on my recent California trip. By the way, I managed to squeeze in one more In’N'Out meal, bringing the total to two of the world’s best burgers in 3 days. Can you hear my arteries screaming?

Pink Steam
Sonic Youth
Nobody sounds exactly like Sonic Youth. They have a unique free-form sound all unto themselves that remains consistent (but fresh) over 25 years and more than a dozen releases. I am really, really liking this song (off their new album Rather Ripped, due June 13) for reasons I can’t completely articulate. Something about the volatile combination between the brooding heavy undertones and the harmonic accent notes, the fact that it is mostly instrumental, and the driving drumbeat. It is the perfect accompaniment to driving along a dark and winding California highway, looking at the crescent moon.

Move By Yourself
Donavon Frankenreiter
This is an enjoyable summer tune, a sonic hybrid reminiscent of the Isley Brothers and Jack Johnson getting down together. The opening minute is pretty smokin’ and the new album is more of a funk-groove manifesto than the laid-back surf sounds of his first disc. From Frankenreiter‘s upcoming sophomore release Move By Yourself (out June 6 on Lost Highway Records).

Broader a New Sound
Nobody & Mystic Chords of Memory
My eye was first drawn to this single because of Devendra Banhart’s involvement with it (he covers one of their songs called The Seed/La Semilla as a b-side here). But in the process I was introduced to a new artist. Nobody & Mystic Chords of Memory is a L.A.-based trio who has come out with a light and lively combination of toe-tapping trip-hop and summery folk music here, with slightly off-kilter Shins-eqsue vocals. Quirky and radio-friendly.

Where is My Boy?
Faultline (featuring Chris Martin)
c featured this song over at her blog, Scatter O’Light last week and I am loving it, the layered and fuzzy-dark feel. I have decided that for some reason, I apparently like Martin much better on guest vocals than as part of Coldplay. This is like the third guest vocal I’ve featured by him. He has such an emotive wail. From Faultline’s 2004 disc Your Love Means Everything.

L’Hotel
Michael Stipe
If I had to pick my three top vocalists EVER, Michael Stipe would be in that top triumvirate. He is unparalleled in sexy velvety smoothness, I could listen to him sing-talk all day (“Belong” is one of my favorite R.E.M. tunes for that reason). And then when he breaks into that naked and vulnerable falsetto, nothing compares. This is a mysterious Serge Gainsbourg tale, from the album of covers Monsieur Gainsbourg Revisited, featuring everyone from Stipe to Cat Power to Marianne Faithfull to Jarvis Cocker and more. I love it. Check out that uber-smarmy album cover. If he doesn’t give you the Old-Man-Heeby-Jeebies, I don’t know what will.

Monday Music Roundup

Do you want to know what the biggest dilemma of my week to come is foreseen to be? Whether or not to vote on American Idol. Seriously, my life is hard (and I’m such a moron sometimes).

But listen: If I vote, then it is a confirmation to all that is good and holy that I have stooped to CARING about REALITY TV. Lord, no. Even though I am having an American Idol party at my house on Wednesday night.

Here are some good things I have added to my iPod rotation recently:

The 99th Floor
Primal Scream
Riot City Blues, the forthcoming release (June 6) from Scottish post-punk/rockers Primal Scream is a rollicking, bluesy, Stones-tinged romp. Just listen to the sick and sloppy slide steel guitar & blues harp on this one. Also download “Country Girl” over on their MySpace page, another excellent new cut from the formidable UK quartet.

She Doesn’t Get It (acoustic)
The Format
Thanks to Nathaniel‘s insistent love for lithe indie-pop group The Format, I’ve been thoroughly apprised of the upcoming July 11 release of sophomore effort Dog Problems. I was fiercely in love with their perfect pop song “Give It Up” off their 2003 debut Interventions & Lullabies, so hearing that same earnest & warbling voice in this lovely song makes me happy. This is a great acoustic version of a song which will be on their new album — and if you pre-order it on their website, you get a frisbee. It doesn’t get much better than that.

Let Go (solo, piano)
Imogen Heap
As half of the London-based duo/Garden State favorite Frou Frou, the lovely Ms. Imogen Heap recently visited local KBCO up in Boulder, Colorado, and laid down this luminous version of “Let Go,” with just her arresting voice and the ivory keys. Thanks to Don’t Need Anything for posting this.

Strange Days (Doors remix)
Thievery Corporation
I just realized that I am totally unintentionally featuring two artists off the same Garden State soundtrack, which really, I didn’t even love as much as your average 20-something apparently did. However, I am featuring this track, off Thievery Corporation‘s new release Versions, because it just sounded very very good to have a fresh take on The Doors slide across my musical palette. I have been reading excellent reviews of this disc, which features remixes of songs & collaborations with the likes of Nouvelle Vague, Sarah McLachlan, Norah Jones, and Astrud Gilberto. Oh, and I am pretty sure that this song was also featured on Alias recently, accompanying Sydney Bristow on one of her (last few) kickass missions.

Jackson Square
Mason Jennings
Acoustic strummer/sing-shouter Mason Jennings also has a new one out called Boneclouds. I’ve listened to it a few times through, and there aren’t the same standout can’t-help-but-stand-up-and-shake-it tracks as some of his previous releases – this one is more consistently mellow and introspective. Mason is a fine storyteller through his songs, and is able to craft tunes through just very simple guitar & drums most of the time. Plus, his voice has a very, very honest quality to it, which I find appealing.

Seacrest. Out.

Monday Music Roundup

Oh, let’s have some fun today:

Music Will Not Last
Jamie Lidell
One of THE best recommendations to me last week was to check out an artist named Jamie Lidell, and his new blue-eyed soul disc (after his past history in electronica, which nicely evidences itself in the rich sonic layers here). I give this song my highest recommendation; it weaves together elements that I just can’t get enough of. Sounds like if Ray Charles was practicing in one studio, circa 1965 Atlanta, and The Temptations strolled on through with Prince & Sly on their arms, poked their head in the room. And this goodness commences. The percussion alone is enough reason to listen; the hi-hat just about kills me.

Please check out Jamie’s whole excellent album Multiply (2005, Warp Records). There are several other great tracks on there, it was tough to choose just one for today’s roundup: notably the title track “Multiply” is almost flawless (falsetto harmonies, a kickass bassline, and enough soul to meet your daily quota – and you DO have one), and “You Got Me Up” made me dance around this morning in ways that I half thought white girls couldn’t do.

Unnamed
Leona Naess
This is my second highest recommendation for download this week – a new one from Leona Naess‘ upcoming unreleased album (Thirteens). This rip is from a track streaming on her MySpace page and is definitely her most singable, radio-friendly, and excellent sounding song in a while. With great couplet lines like “Shake these hips and let them persuade you / Take my songs – they’re always about you,” and a catchy chorus about the perils of loving someone who is also a famous singer (?):

“I can hear your songs / Through my radio
Singing soft / Singing slow
Songs I love / the songs I know“

The lyrical writing style is classic but the sound is uptempo & fresh. I love her voice, and how she can switch from that rich sing-song to the bluesy yowl, which she gives glimpses of on this track, towards the end. Good stuff.

In The Morning
The Heavy Blinkers
I’ve been reading about Canadian orch-pop quintet The Heavy Blinkers on a few different blogs, and finally downloaded some songs because of the inevitable Beach Boys connection that everyone points out. Listen to this and you will understand why. Bring on the summertime and the sun/sand/surf, which we all know to associate (obviously) with the Heavy Blinkers’ hometown of Halifax, Nova Scotia. Their fourth studio album The Night and I Are Still So Young will be released next week in the US on the Cooking Vinyl label. And the link above (on their band name) will lead you to a free mp3 download for the title track.

Rain All Summertime
(45 second clip)
Darren Hayman
One just for fun, and I am posting only a 45 second clip of it – since I can’t find a full-length. I heard it last week, featured by my co-podcaster Mike (from Take Your Medicine, out of Sheffield, UK) on the Best of 2006 So Far show.

From Darren Hayman’s oddly named, limited edition April 2006 EP Ukulele Songs From The North Devon Coast. Lighthearted ukulele joins with fuzzy guitars & synth beats for a feel-good electronica summer song. The clip jumps in at kind of an odd place in the song, so wait until it hits about 20 seconds in to hear the riff that drew me to post this. The sample here is so you can buy it from Static Caravan and enjoy it all summer long. You can also hear the whole song on this video.

Shelter
(RAY LAMONTAGNE cover)
Kelly Clarkson
I . . . I can’t even speak about this one, I just thought you might like to hear it. I will admit that it is better than I had anticipated, but still it feels like an unnecessary affront for some reason. It was marginally okay when Taylor Hicks covered “Trouble” on American Idol. But OHKELLYCLARKSON! Not so much for me.

Monday Music Roundup

So, back from a long snow weekend with the gals, I am wishing you all a Happy First Day of Spring! Unfortunately, Colorado did not get the memo, and this is what I awoke to this morning:

As gorgeous as the falling snow is, I think I am ready for the ice to be gone. Over the weekend I was sitting in the hot tub with my friends (looking at the beautiful and dramatic mountains in the moonlight) and as I tried to run back into the lodge barefoot (it was freezing once you get out of the water! and I was wet!) I did an elaborately choreographed (and almost comical) fall down a few steps after I slipped on the copious ice. So I am all scraped and bruised on the skin that was bare. No more ice! Bring on the Spring, says me! Egad, if I keep pulling these slip & fall deals, what will happen to your musical consumption? For the love of all things holy, I think I need to be more careful. Ghastly bruises.

And, sorry, we are temporarily goin’ ole school today with uploads to Savefile (right click, open in new window for most links) since EZArchive bastards seem to be taking the morning off. 3pm: It’s fixed now, they are direct links.

Crack The Whip
The Spinto Band
Pitchfork’s description of this song, by current Arctic Monkeys tour opener The Spinto Band, caught my attention: “Four-on-the-floor ‘Crack the Whip’ lashes the make-up alternapop zeitgeist, whippin’ the Killers at their own neu-dance-wave game before ascending to a gates-of-heaven Beach Boys chorus like this was the Biblical, non-DFA Rapture.” That is one of the best-written music review sentences I have read in a while, and I am digging the song in a big way. These guys just rocked SXSW from what I hear. Check out their 2005 release Nice and Nicely Done.

Skinny Boy
Amy Millan
The female-vocals half of fabulously harmonic & smooth Canadian pop band Stars, Amy Millan is releasing a solo album May 30 called Honey From The Tombs. Any album title with the word honey in it is apt for Ms. Millan, since that is usually the word that comes to mind when I hear her lush voice. This song treads familiar Stars ground, with a bit more acoustic touch. I like the way she wraps her voice around the lyric “You’ve got lips I could spend the day with.”

Futures
Zero 7 Featuring José González
The layered electronica sound of Garden-State-darlings Zero 7 (“In The Waiting Line”) meet the breathy vocals and gently plucking guitar of Argentinian folkster José González in this pleasing track off the vinyl 7″ and 12″ limited-run single. The song is from the upcoming Zero 7 release The Garden. Thanks to Connor for tracking this one down, I really like it. Downtime bliss.

The Shining (Capitol K Mix)
Badly Drawn Boy
Funny, I just accidentally typed “Badly Drawn Boi” instead of Boy. No, that would be Avril, who we don’t support here (sorry grrrls). I wonder if I hate the word “boi” or “grrrl” more. Tough call. ANYWAY, so this is a sonic assault best listened to on headphones as the remix takes you through dark layers of this song, a thousand miles from the relaxing orchestration of the original. Fascinating. It sounds like the soundtrack to a jerky David Lynch-type film vignette meets Sigur Ros-type atmosphere. From the 2000 remix EP Once Around The Block, Pt. 1.

Always On My Mind
Iron & Wine with Calexico
So, I just “found” this on my iPod, although I’ve had it for a few months (from their excellent appearance on NPR’s All Songs Considered). I somehow hadn’t listened to it yet. So I was quite excited to hear this lapping-ocean-tide reinterpretation of the classic made popular by Elvis and Willie Nelson. A touch of slide guitar, Sam Beam’s soft and relaxing vocals, and it’s an earnestly-sung treat. I think I originally got this off the excellent So Much Silence blog, which, paradoxically, is always giving me good gems to fill the silence.

And you, lucky reader, you get THREE bonuses this morning. First off a kind reader ripped me this mp3 of Brandi Carlile singing Hallelujah from that KCRW stream. So now you can have it on mp3. I got a great response to my posts about her, seems like many of you have been as blown away as I was by this talented gal.

Also, Chad has a simply lovely cover of Norah Jones singing Patsy Cline (with a hot bass line addition), and Aquarium Drunkard has a hilarious post with a little love advice for the non-slick (and a stomach-turning tounge-kiss photo of everyone’s favorite ex-VP).

Have fun, champs.

Monday Music Roundup

Well, I am safely back from my work trip/junket to sunny California with a touch of a sunburn and a smile on my face.
My flight home was canceled once we had already boarded the plane Friday night, so we all unwedged ourselves from our tiny seats, waited in an immense line for rebooking and our $400 travel voucher, and then proceeded to heartily make the best of it with some cool fellow young-’un passengers and the help of a cheesy bar at the hotel they put us all up at. It was like LOST, minus the crashing part, the black thing in the jungle that eats people, and all the freaky “coincidences.” But we had the camaraderie. And I apparently have brought back a slice of Cali with me because it is pushing 70 in Colorado today, and that is something to pause and enjoy. Life is good, kids.

Black Sweat
Prince
Oh yeah, I just posted Prince on my blog. Truth be told, the Great Tiny Sexy One kind of scares me (in the same vein as David Bowie in the underrated ’80s classic Labyrinth), but this song is funky and sexy and should make you stand up in your cubicle and kind of grind a little bit. Feel it. Just make sure the boss isn’t looking. From his upcoming album ’3121′, out on March 21.

I Need Someone
John Davis (formerly of Superdrag)
Okay, now stop gyrating your pelvis from the Prince bizness immediately because John Davis has found God and cleaned up his act. And he has been making some pretty dang sweet music since then. This is a live track from Maxwell’s on 4/8/05, right after the release of his self-titled album John Davis, which is just laden with harmonies, lovely piano, and some intelligent and introspective lyrics.

Sugar Blue Too
Jeff Finlin
This one comes courtesy of wonder-fan Vangelis who sends me good stuff from the scenic shores of Greece. Jeff Finlin was featured on the Elizabethtown soundtrack (I still have not seen that movie! Argh!) – and I like Finlin’s folksy Dylanesque-ballad Americana sound with the piano backing. The lyrics talks about ‘walking the streets so dark,’ and that is exactly what this song makes me think of. From his 2005 CD Somewhere South of Wonder. Thanks for everything, Vangelis.

Better Way
Ben Harper
This is the new one from Ben Harper, off his upcoming new album Both Sides of the Gun, due March 21. Ben Harper is one of my first and deepest musical loves, ever since he sang me a song for my 16th birthday. Yeah, we go way back. This song has a slightly middle-eastern feel to it, and listen to Ben crank it out towards the end. Check him out on tour, he is always amazing in his passion and his virtuosity with that Weissenborn.

Ghost
Ryan Adams
from the Technical Cowboy Services Sessions
I think I love Ryan Adams the most when his voice cracks because he is not worried about perfection, he is worried about expressing his emotion. And that is a beautiful thing (and exactly what is wrong with most of the contestants on American Idol – the exception being Taylor Hicks – but that is an embarrassing sidenote best kept to myself, eh?). Thanks to Jennings for unearthing and posting the Cowboy Technical Services (mini) Session with Ryan Adams, containing this and two other great songs.

Now, doesn’t all that make the upcoming week seem a little bit brighter, tiger?

Monday Music Roundup

“Something In The Way“
Nicolai Dunger
Neither a Nirvana cover, nor a Beatles cover, this ex-footballer (and by footballer I mean soccer player) Swede has a pleasant backyard BBQ vibe, which is something I can appreciate in the cold brown of winter. When I first heard him, I thought “Sondre Lerche?” Similiar geography (Sweden vs. Norway), reminiscent sound, but different guys. Dunger has also been likened to Van Morrison in his use of harmony and the tone of his pleasingly rough voice, but I hear that comparison more validly on his 2001 album Soul Rush. This track is off his 1999 album This Cloud Is Learning.

“Cupid“
Otis Redding
This one’s just because.
It’s not new (um, obviously), but because I love Otis Redding and this is one of the best little songs ever recorded. I hadn’t heard Otis’ version until recently, being more familiar with the Sam Cooke stylin’ – who is also just a dose of good stuff. Otis makes it a little rougher, a bit more pained (unh). He throws down the fat bass riff & makes the drums more prominent to make you wanna stand up, maybe shake it. Add a little soul to your week.

“Lonely Soul”
Unkle featuring Richard Ashcroft
In honor (honour?) of Richard Ashcroft kicking off what is informally billed by some as his “comeback tour” in the UK recently, here is a downtempo trip-hop collaboration he did with Unkle on their 2003 album Psyence Fiction. This reminds me of Moby or Portishead, a very chill sound. Picture me on the Tube, with my headphones, speeding under the streets of London, listening to this. I might be wearing black, and/or sunglasses. But I am definitely feelin’ cool in the eardrum region.

“Quiet Town“
Josh Rouse
I really like Josh Rouse, and the deeper I dig into his back catalog, the more I am consistently impressed with the quiet quality of his releases. Underappreciated? Definitely. Here is a track from his upcoming March 21 release Subtitulo. It is gentle and harmonic, with plucky guitar and gorgeous strings. Josh recently picked up and moved to Spain (a variation on my ‘move-back-to-Florence’ dream), and this song is a paean to this sleepy hamlet of Altea where he first settled upon arrival. I would expect some more tour dates to be announced shortly to promote the new album – he just did a limited run in January, hitting Chicago, Nashville, L.A., San Fran, and New York.
Subliminal message: cometodenverpleasecometodenver.

“Like A Star“
Corinne Bailey Rae
From Leeds, England, this young woman’s voice possesses a straightforward honesty which I find extremely appealing. Corinne Bailey Rae sounds vocally like a cross between Nellie Furtado and India.Arie, with a hint of Billie Holliday. She’s got a unique & organic soulful sound which I like very much. Check out her recently released 3-song EP of the same name, and thanks to Aurgasm for the tip.

BONUS: iGIF has the new Vines song “Gross Out” for download. The Vines’ site has the new songs streaming, but unfortunately your favorite friendly blogger is not technologically competent enough to know how to rip mp3s from streaming audio. So thank God we have Connor.

Monday Music Roundup

It’s Monday, new music for the week.
“We happy?”
“Yeah, we happy.”

Ol’ 55
Sarah McLachlan
There’s been some Tom Waits love goin’ around in the blogosphere lately (even Jesus loves him, but I guess Jesus loves everybody), which reminded me of one of my favorite covers ever, a Waits song from Sarah McLachlan’s Freedom Sessions. This track was recorded this very late one night/early one morning, after Sarah & her band had been imbibing large quantities of red wine. Not everyone knew the song, so those that did were mouthing chord changes to the others. She sounds better drunk than I do sober. (But oddly enough, not as good as I *think* I sound drunk. Ironic.)

Tiger Man (live)
Eels
On their 2003 tour, Eels often opened their show with this Elvis cover, a classic swaggering song of sexual bravado. I can picture Elvis The Pelvis making all the teenage girls scream with this one. With E, not so much, but with his unique sound he can pull it off. Rockin’ good fun from the Ancienne Belgique show. Thanks to Giacomo from www.eelsitalia.com!

These Things
Hope Sandoval and the Warm Inventions
You may remember Hope Sandoval as the dreamy-velvet voice of Mazzy Star. While Mazzy Star lies dormant, Hope has gone on to release some newer material with her band The Warm Inventions. This track is from her 2002 EP Suzanne. When I listen to this, I picture a voice coming out of a black, black room – like you are sitting somewhere in the dark and suddenly you hear this lolling voice, like a slowly swirling river, out of nowhere. It’s just her and a slow bluesy guitar for most of the song. Very evocative.

The Shins
Flake Music
As Chris puts it, “Way before The Shins were going around changing Natalie Portman’s life in overrated movies, they were Flake Music.” Matthew posted this track by Flake Music (from their 1997 CD When You Land Here, It’s Time To Return) and I have been enjoying its poppy vibe for the last month. Shimmery goodness, as one would expect from they-who-would-become-Shins. And yes, so you’re not confused (or, even worse, accuse me of a typo!) the song is in fact also called The Shins. Whoa.

Why Don’t You Do It For Me?
22-20s
Big thumping drums and a retro-rockabilly/blues feel to this group distinguishes the 22-20s from the rest of the next-big-thing bands over in Britain today. The 22-20s took their name from a track by Delta bluesman James, and it’s clear from listening to them that these chaps have studied their musical roots. Liam Gallagher (Oasis) has been rumored to have said about music these days, “Everything’s sh*t. Except for the 22-20s.” So there you have it. That may or may not be an incentive for you, but (Liam or no) this is some good stuff in the Heather Browne book. From their self-titled 2005 debut album.

Monday Music Roundup

It’s Monday, time again for me to open wide the vast musical archives (which are actually quickly filling up my 30GB iPod – I think I need a new 60. Your favorite friendly music blogger is currently accepting donations) to pull out some selections for y’all. And today’s caveat is that EZArchive (which stores the songs) may be acting weird. If you can’t get the tunes, stop back by later.

In the meantime I will give EZArchive a stern talking-to.

Satisfied Mind
Johnny Cash
I first heard this song done by Jeff Buckley on his Sketches (For My Sweetheart The Drunk). His version is saturated with a gorgeous and rich beauty (and was, incidentally, played at his memorial service – side note). Ben Harper also does a bluesy-gospel version with the Blind Boys of Alabama. But Johnny Cash, as always, puts his signature desolate and wind-blown sound to this song (from the Kill Bill 2 Soundtrack of all places) and it makes me feel all nostalgic and Grapes-of-Wrath-ish just to listen to it. God bless Johnny Cash.

Cayman Islands
Kings of Convenience featuring Feist
I posted on Norway’s Kings of Convenience before, but never about the lovely Canadian songstress Feist, who I have been hearing more and more professions of love for from the mouths of my musical friends. Feist paired with Kings for a few tracks on their album Riot On An Empty Street, released in 2004. This is a very mellow song with a nice blending of voices, with folksy finger-picking simple melody and lilting vocals. Check out “Homesick” from the same album for a straight up Simon & Garfunkel reunion.

Hard Times
Eastmountainsouth
This duo has now broken up, but Eastmountainsouth was a lovely surprise discovery that I made in 2004, scoring free tickets to go see them in a small club in San Francisco. Kat Maslich is from Clinch Mountain, Virginia, and she joins Alabama/Tennessee native Peter Adams on their evocative eponymous 2000 release. Maslich’s warm and powerful alto voice leads the album, alternating and meshing seamlessly with Adams. The organic and rural-sounding album employs a variety of styles of music, mostly centering around folk and acoustic melody, but incorporating hints of plucky bluegrass guitar and resonant piano. I highly recommend the album, and I wish you could still see them live as they were stunning. Oh, and this song was also featured on the Elizabethtown soundtrack last year.

Sunshine (live 11/13/03)
Matt Costa
I just got reminded (by a little birdie of sorts) of this great track that I’ve had sitting in my “To Blog” playlist for about three months now. Matt Costa was was number three on Fader Magazine’s “Top Ten Things You Didn’t Appreciate Enough In 2005,” - an acoustic singer-songwriter in the vein of pal (and informal promoter) Jack Johnson. Costa has toured with Jack, as well as Donavon Frankenreiter (and probably G. Love), so you get a sense of his vibe. Costa also collaborates with Jack on the new Curious George soundtrack, which I buckled and pre-ordered on iTunes so I could get the excellent track “Upside Down,” which makes we want to swing in a hammock somewhere. But, again, that’s sort of off-topic. Sorry. “Sunshine” is from the 2005 album Songs We Sing. Check it out, you flip-flop-wearing surfer, you.

Reach Down
Pearl Jam with Chris Cornell
Once again, I had something else here in the number 5 spot, but then I realized today’s line-up was waaay too sparse and mellow and I am feeling a bit rockin’ today myself. So let’s rock a bit. I am getting all excited to receive the 2005 Pearl Jam Christmas Single vinyl. ‘But it is January,’ you say, ‘not Christmas.’ Well, in the 12 or 13 years as I have been in the Ten Club (the Pearl Jam fanclub), I don’t think I’ve ever gotten the annual record before February. This song was featured on the 2003 Christmas single, and this Temple of the Dog “reunion” took place October 28th of that year at a star-studded evening of music.

Thanks to Franz pointing this out: You can download this entire show at http://www.glidemagazine.com/downloads25.html. This amazing evening featured an acoustic set, and electric set, and three encores – filled with gems. Collaborating musicians include Jack Irons, Chris Cornell (also did 2 solo songs, one of his own and one Audioslave), John Frusciante (RHCP), Jack Johnson, and Lyle Workman. Grab the show for download before it is gone!

My favorite Seattle-ites are the topic of a new photo book coming out this Spring, “5×1: Pearl Jam Through the Eye of Lance Mercer.”

Monday Music Roundup (is it Monday already? )

Good gluttonous morning. I think I have eaten about a thousand Christmas cookies and other equally sweet items in the last 24 hours – ugh! Christmas was splendid overall, filled with family and friends and thoughtful gifts (new Dr. Martens!) and, my favorite: lame, loud board games with lots of yelling about rules. As good as it gets. I hope yours was equally nice.

Here are five songs for your listening pleasure. Please let me know what you think, I am very excited about several of these tunes lately.

When U Find Someone
Ken Stringfellow
Wait a sec, am I listening to The Beach Boys? The gorgeous layered vocal harmonies on the chorus of this song from ex-Posies frontman Ken Stringfellow have the timbre of the Wilsons all over it, a successful homage. This is a sunny, shimmering piece – you’ve got to smile when the chorus breaks. Check out Stringfellow’s 2004 album Soft Commands.

Over My Head (Cable Car)
The Fray
A local band straight outta Denver, The Fray has been getting a lot of airplay over at KFOG in San Francisco (say it with me again, “KFOG is possibly the best radio station in the world”). This is an understated song from 2005′s How To Save a Life which has been really growing on me. Piano crashes into a driving drum beat, while the vocals by Isaac Slade draw obvious comparison to Coldplay, but are distinct. Rolling Stone cites this as “elegantly wasted twentysomething angst.”

Your Love
The Butchies
North Carolina’s The Butchies completely reinvent the glitzy, cheesy, synth-laced ‘80s power ballad “Your Love” (originally by British band The Outfield), turning it in to something sultry and lolling. Singer/guitarist Kaia Wilson breathes the sad lyrics of longing over a simple, slowdancing beat. The final cut on 2004′s Make Yr Life.

Elizabeth, You Were Born To Play That Part
Ryan Adams
This song absolutely rips me in two. I listened to this for this first time last night in the dark. Starting with the opening two words – Adams them lays out with what I perceive as stunning beauty, and I can’t explain why. Something about the fragility of the way he floats the words, “For you…” and the drop in the melody.

The local newspaper today reviewed 29 and said this song is about a romantic interest, but Adams has said in concert that it is about a friend who experienced a miscarriage or stillbirth, and that’s the interpretation that resonates and gouges. One of the many lushly gorgeous tracks from Adams’ new album 29.

Break The Night with Colour
Richard Ashcroft
Ashcroft (former lead singer of The Verve, for those of you playing along at home) has a new album called Keys To The World, coming out stateside on February 7, and this is the first single. Ashcroft was recently called “the best singer in the world” by Chris Martin during his high-profile appearance with Coldplay at Live 8, and this track shows off his distinctive and heartfelt sound. It will be interesting to see what 2006 holds for Ashcroft, with some tour dates coming, both solo and opening for Coldplay. BONUS: You can listen to some new interviews with Ashcroft on his website.

Monday Music Roundup

Time for the weekly fix. Here is some new music for you to enjoy. Let me know what you think. If something really tickles your eardrums I’d love to hear about it.

“For The Turnstiles”
Josh Rouse
This is another great track emailed to me by Adam, my new musical drug dealer. It is a beautiful cover of the Neil Young song, performed live on KCRW 2. It is a lovely rendition. I am digging Josh Rouse more and more of late.

“You Only Live Once”
The Strokes
I know that the new Strokes album First Impressions of Earth has been leaked and posted on practically every possible place on the internet, and that they have been on every magazine cover possible in recent days (exhibit A to right) but if perchance you HAVE NOT heard this song, I am posting it here because YOU MUST. This is one of my favorite tracks of the year, period. I love drummer Fabrizio Moretti, and on this track you can see why. Oh, to be like him someday. His loose and laid-back improvisations blow my mind all over this track. He’s just havin fun, doing his own thing, meandering back to the regular beat when he feels like it. Very fresh and compelling and infectious.

“On My Mind”
Kalai
Upon first listening to this, Kalai sounds like James Taylor or Ben Harper. This is a simple, agreeable little song that always makes me happy, and I love to sing along cuz it is right in my perfect range. It was released on Kalai’s 2001 album Acoustacism. Kalai is only in his late-twenties, born in Hawaii and raised in Alaska. He has an excellent grasp of the new-folk genre and has quite a fine little album here. His dad is Danson, a Hawaiian music legend. In addition to making good music, Kalai is also an expert fly-fisherman and enjoys the simple life. Wow, that sounded like a personal ad. Anyway, check out his website at http://www.kalai.cc.

“Nothing Compares 2 U”
Stereophonics
Well, Sinead O’Rebellion. This is a cover of another song that distinctly reminds me of my elementary past, this one of the fifth grade and my best friend Britt. We would sit around and listen to Sinead belt it over and over. (Wait, did you hear that? That was the sound of my street cred dissipating.) Anyway, this gruff cover by the Stereophonics is irreverent and surprisingly heartfelt. I heard this on KEPC, a local community college radio station which plays a superb selection of music. Yay KEPC!

“Which One Of The Two Of Us Is Gonna Burn This House Down?”
The Star Spangles
Gritty garage rock, baby. The Star Spangles are out of New York City and in the vein of the NY Dolls and the Ramones, with some Stooges thrown in. It is clear who their influences are, not that that makes this cut any less enjoyable. I also find the vocals distinctly reminiscent of Paul Westerberg. This is off 2003′s Bazooka!!.

Speaking of The Replacements/Westerberg, I have been blessed with a largesse of rare tracks from them (2 CDs worth!) from a kind musical e-pal named Jerry, and I will be posting all the tracks here in the next few days, once I get time to upload the zip files! So if you are a Westerberg fan, stay tuned.