The original “Save It For Later” (by whom we call The English Beat over in these here parts, but were truly just called “The Beat”) hit the charts in 1982 and is part of the musical periphery of my childhood. As many times as I’ve heard it, it still strikes me from those opening notes as such a fantastic song.
The Beat played Denver a few weeks ago, and while I was not in attendance, I did get updates from a friend who is a fellow Pearl Jam fan and knows that PJ does a wistful, spontaneous-feeling cover version of this song; I love the way it builds from a tentative start to a rocking, thrumming end. Ed clearly took his cues here from his hero, his idol, Pete Townshend and his version of the same song in Brixton in 1985.
A few years later, Townshend was on stage at a charity gig in Brixton, and performed “Save it For Later,” a recent hit from the Beat. Townshend sheared the song down to its skeleton, hanging the lyric on one repeated guitar figure. Singing in a harrowed but calm voice, Townshend lingers on the lyric’s odd phrases . . . infusing the line “your legs give way/you hit the ground” with weary resignation, and taking the lyric’s silly sex joke and turning it into a vulnerable plea. [credit]
I also really dig the Harvey Danger cover that plays over the ending credits of the 1999 movie 200 Cigarettes . . . just listen to that rejuvenated beat, all cleaned up and sharpened and rad. And instead of bringing the string section in towards the end as the original does, it wends its way throughout:
I was recently talking to a merch guy at The Bluebird, and was stoked to find out that CU Denver has a neat-looking degree program in Music Industry Studies with their very own student-run record label. Equally cool are the breadth of courses offered at Berklee (not Berkeley) School of Music. I always thought Berklee (in Boston) was just a high-falutin music performance school, like if you’re really really good on the cello, you go there. But they also have courses in songwriting, music business, music production, film scoring etc that you can take online.
We’re All Stuck Out In The Desert Johnathan Rice A friend recommended I listen to this guy after he recently swung through town opening for gf-Jenny Lewis’ Rilo Kiley. I’d heard his name (I always say it extra-breathy in my head with that seemingly-bonus “h” in the first name) but never listened to him before now. Wow, I like this guy: Scottish-roots, New York-dwelling Rice has an addictive, warmly catchy sound with the feel-good lyrics of the summer: “We’re all stuck out in the desert, and we’re gonna die.” Right on. He’s toured with Neal Casal of The Cardinals — see the video of them performing this song in grand festival style at Hyde Park. Further North is his sophomore album, and it’s out now. If he looks vaguely familiar, it might be because played Roy Orbison in Walk The Line. So cool.
Can’t Change Me (French version) Chris Cornell In honor of Chris Cornell rescheduling his date with Denver (it’s November 20th at the Fillmore), I want to share this fantastic French version of his solo song “Can’t Change Me” from his 1999 solo album Euphoria Morning. Cornell has an absolutely breathtaking set of pipes (even though yes we can admit he’s stretching them a bit after all these years) and when you combine it with a gorgeous Romance language? Ridiculous and so much fun — sexy, dangerous fun.
Modern Diet The Redwalls Fresh-faced Chicago retro powerpop group The Redwalls finally have an album completed and a release date! In just one month, we can all enjoy their first full-length album released since they parted ways with Capitol. Now on Mad Dragon Records (which is a student-run label from Drexel University, how cool), they have a pow-pop-bang new self-titled joint out on October 23. This first sample feels a bit more Eighties-danceable feel to me than the straightforward ’60s guitar fuzz of the past. I absolutely love their sound, love their output. They are currently on tour with Rooney and I plan to see them next month when they swing through here; they put on an excellent show.
The River (Springsteen cover) Josh Ritter This cover is one that has set the masses a-buzzin’ the few times that Idaho singer/songwriter Josh Ritter has performed it. Ritter gets the Springsteen (and Dylan) comparisons all the time, but still it’s a daunting task to cover this song. He earnestly and beautifully nails it. This was a bonus encore track not streamed online from the WXPN free noontime concert back in August. Friends who were there say it was absolutely magical, and that you could have heard a pin drop. Stream the rest of the main set here, and do yourself a favor by picking up his new album, The Historical Conquests of Josh Ritter. [photo credit]
Let My Love Open The Door Joe Purdy duet with Pete Townshend The Attic Jam series is something I’ve been meaning to write a post on, and still intend to once I find full audio from these amazing sets. Pete Townshend and his ladyfriend Rachel Fuller have hosted several of these jam-session evenings blending Pete’s performances with some of their favorite up-and-coming songwriters, as well as established artists. They’ve welcomed everyone from Billy Corgan, E from Eels and Ben Harper, along with guys like Willy Mason and California folk artist Joe Purdy. Joe is a bit of an anomaly in that he doesn’t want to be signed, but prefers to self-release — over 10 albums since 2004. He gives his stuff away for free, and has had his tunes show up on Grey’s Anatomy, my beloved LOST (come on, Feb 08!) and House. I like that refreshing spirit and the homey sincerity of his voice on this wonderful collaboration.
Name: Heather Browne Location: Colorado, originally by way of California Giving context to the torrent since 2005.
"I love the relationship that anyone has with music: because there's something in us that is beyond the reach of words, something that eludes and defies our best attempts to spit it out. It's the best part of us, probably, the richest and strangest part..."
—Nick Hornby, Songbook
"Music has always been a matter of energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel." —Hunter S. Thompson
Mp3s are for sampling purposes, kinda like when they give you the cheese cube at Costco, knowing that you'll often go home with having bought the whole 7 lb. spiced Brie log. They are left up for a limited time. If you LIKE the music, go and support these artists, buy their schwag, go to their concerts, purchase their CDs/records and tell all your friends. Rock on.
The original “Save It For Later” (by whom we call The English Beat over in these here parts, but were truly just called “The Beat”) hit the charts in 1982 and is part of the musical periphery of my childhood. As many times as I’ve heard it, it still strikes me from those opening notes as such a fantastic song.
Name: Heather Browne
