One of the most highly acclaimed musically-infused movies to come out this year, Once is the story of a Dublin busker who works part-time in a vacuum repair shop instead of living out his musical calling (Glen Hansard of the Irish band The Frames and The Swell Season), and the musical connection that he forms over the course of a week with a fellow struggling artist, a not-yet-twenty year old street vendor from the Czech Republic who happens to play the piano (Marketa Irglova, the other half of Swell Season).
You’ve probably seen the lush and lovely soundtrack that they made popping up on year-end Best of 2007 lists all over the place, and with good reason. This particular cover is a bonus track on some special editions of the soundtrack, and it is jaw-droppingly good. Although it starts winsome and delicate, it builds into moments of heartfelt intensity. The song always ends too soon, so I have to back up and listen to it over again.
The DVD came out this week in the U.S., which is something that my Netflix queue is thrilled about.
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In unrelated news, this kinda restored some of my faith in humanity this morning as I read the paper over my cup of coffee. Religious or not, I thought it was an inspiring story of giving this time of year, and what we are capable of.
Weiss pits two of the most excellent ’80s films against each other on several battles: Better Protagonist, Better Villain, Better Historical Time-Travel Interaction, Better Time-Traveling Helper, Better Time-Traveling Vehicle, Better Token Females, Better Musicians, and Better Sequel(s). Finally a serious discussion of these important qualifiers. The overall winner is my pick as well — although it is indeed a tough choice. Thanks to Weiss for navigating these rocky waters for us and helping us make an informed choice.
Here’s what else I am enjoying this week:
Hardcore Days and Softcore Nights Aqueduct I completely missed this one when it came around on the 2005 album I Sold Gold (maybe because I don’t watch The O.C.) but when I heard it last week it hooked me instantaneously with its insane, thumping beats and I’ve listened to it since then on repeat. A lot. You will love it — and although the title sounds like it should be the definitive soundtrack to a porn flick, the lyrics are actually tame and a bit cryptic. Aqueduct is the nom-de-mike of David Terry, and he has a new album Or Give Me Death out on Barsuk February 20th. Stream some new tunes here.
Cryin’ Spencer Dickinson This is a side project featuring Jon Spencer (o, he of the Blues Explosion) and some of the North Mississippi Allstars (Luther & Cody Dickinson). Recorded in 2000, released in Japan only in 2001, this finally made it to the rest of us last summer as the album The Man Who Lived For Love, on the Yep Roc label. One reviewer said this track sounds like “James Brown on a psychedelic bender,” and there’s enough dirty bluesy funk, electric guitars, Memphis horns, and rowling harmonica on this disc to make anyone do a little backporch jig.
Into The Mystic (live) Van Morrison This live cut is from the upcoming compilation Van Morrison At the Movies (out tomorrow), which features Van songs used on film soundtracks — and there are a lot. This one is cited as being in Patch Adams, not that anyone would remember the inclusion of most of these songs into the movies referenced (with the exception of the flawless use of “Comfortably Numb” in The Departed). This is a great collection with unreleased versions of Van songs, and a fine place to start if you haven’t previously added anything from the Irish Soulmaster into your collection. There’s something fine in the world when Van Morrison is playing on the radio.
Untitled Demo Rosewood Thieves Here’s a sweet little raw bit of material from burgeoning buzz-band The Rosewood Thieves. It’s not at all like the rollicking blues that I’ve previously loved from them, but instead this understated tune is bittersweet and melodic — all acoustic plucking and harmonica. The guys are working on demos right now for their first full-length LP. Unfortunately because of V2 going belly up, they no longer have a label. Once they finish the demos and find a label they’ll be recording at Levon Helm’s studio in Woodstock. Can’t wait to hear the finished product – I think these guys are bursting with talent. [thx for the pic and mp3]
Gimme Shelter (Streetlab remix) Rolling Stones Stereogum pointed me in the direction of these Streetlab fellas from Brooklyn, who eloquently remix class songs like this without turning it into something too clubby or dancey. It’s as if your radio that you are listening to ‘Gimme Shelter’ on gets caught up in a tornado, and the music ebbs towards you and then flows back — in and out. Through all of this Mick’s voice comes weaving in. Fantastic. Several other free downloads of their wares are available on the Streetlab MySpace, including a remix of the Smashing Pumpkins song ‘Starla’ that must be experienced.
P.S. – The sun finally came out here this weekend! I went running outside and was going to die (either of sun-soaked happiness or muscular exhaustion, I couldn’t decide which).
The Departed is Martin Scorsese’s visceral new flick: 2 1/2 hours of a tightly intelligent plotline, fascinating character studies, lots of caffeinated jump-cut cinematography, more “f**ck”s than you can shake a stick at, and a greater nunber of brains being blown out at close range than I personally care to see.
I guess I’ll never infiltrate the Boston mob (because all the violence truthfully left me feeling a little nauseated), but the soundtrack left me elated and tapping my foot furiously in my red velvet rocking seat. Here is a sampling of what you’ll hear, woven into the film at exactly the right places. The soundtrack is really superb, just what you’d expect from Scorsese: The Rolling Stones capture that rough & tumble Seventies inner-city swagger, while Van Morrison lends his pipes to a lovely live version of Pink Floyd’s “Comfortably Numb” during a scene of gnawing loneliness and aching lust. John Lennon’s in there, as are the Isley Brothers, the Beach Boys, Dropkick Murphys, Patsy Cline, and even Nas. It’s a real joy to listen to.
“Comfortably Numb” – Van Morrison live w/ Roger Waters (1990, Berlin)
Speaking of soundtracks, keep those fantastic comments coming for that contest I opened up on Friday! I am immensely enjoying all the articulate and passionate rambles about the movie music that you love. I’ve added several films to my Netflix queue that I’d overlooked, and have been re-appreciating the classiness of the Rushmore soundtrack all weekend. Keep it up, and it’s gonna be delightfully hard to nail the winner.
Van Morrison’s ten thousandth album, Pay The Devil, was released today, and while it is definitely the country album he promised, it’s still Van Morrison doin’ what he does best: singing big warm songs that make your heart grow two sizes (or was that the Grinch? either way….) and make the world turn a little slower.
Much of his new album I don’t personally care for, but some of you more country-leaning folk will like the lazy, twangy feel. It is an interesting combination of clear and distinctive voice of the so-called “Belfast Cowboy” combining with very classic country sounds, reminiscent of Hank Williams (who he covers on several tunes), old Johnny Cash, or Patsy Cline.
One song that I very very much enjoy, though, is actually a cover of an old Chuck Willis number:
Morrison makes this track less country-western (but still a languid treat), and has a good dollop of soul in it with a hearty piano base. It’s a front porch, barefoot, August sunset tune. I feel like I should pour some Southern Comfort and slow dance around the dusty floorboards. Snag this one.
Name: Heather Browne Location: Colorado, originally by way of California Giving context to the torrent since 2005.
"I love the relationship that anyone has with music: because there's something in us that is beyond the reach of words, something that eludes and defies our best attempts to spit it out. It's the best part of us, probably, the richest and strangest part..."
—Nick Hornby, Songbook
"Music has always been a matter of energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel." —Hunter S. Thompson
Mp3s are for sampling purposes, kinda like when they give you the cheese cube at Costco, knowing that you'll often go home with having bought the whole 7 lb. spiced Brie log. They are left up for a limited time. If you LIKE the music, go and support these artists, buy their schwag, go to their concerts, purchase their CDs/records and tell all your friends. Rock on.
One of the most highly acclaimed musically-infused movies to come out this year, Once is the story of a Dublin busker who works part-time in a vacuum repair shop instead of living out his musical calling (Glen Hansard of the Irish band The Frames and The Swell Season), and the musical connection that he forms over the course of a week with a fellow struggling artist, a not-yet-twenty year old street vendor from the Czech Republic who happens to play the piano (Marketa Irglova, the other half of Swell Season).
The Departed
Name: Heather Browne
